Born in Mendoza (Argentina), Veronica Cangemi is one of the most versatile sopranos of the music scene.

Among her most notable appearances in the baroque repertoire, it is worth mentioning: Monteverdi’s L’Orfeo and L’incoronazione di Poppea (title role - with Ivor Bolton in Florence); Cavalli’s Ercole amante; Rameau’s Platée; Scarlatti’s La Griselda (with René Jacobs); Handel’s Ariodante (Dalinda and Ginevra – with Marc Minkowski); Rinaldo (Armida – with Ivor Bolton), Alcina (Morgana – with Ivor Bolton and with Marc Minkowski at the Wiener Staatsoper); Serse (Atalanta and Romilda – with Ivor Bolton in Munich), Giulio Cesare (Cleopatra – with René Jacobs), Orlando (Dorinda – with Jean-Christophe Spinosi and Ensemble Matheus), Agrippina (Venice), Ezio (Fulvia - with Attilio Cremonesi and Kammerorchester Basel), Fernando (Elvida – with Alan Curtis and Il Complesso Barocco), Poro (Cleofide – with Enrico Onofri and Kammerorchester Basel), Deidamia (Nerea – with Ivor Bolton in Amsterdam), Messiah (with Jean-Christophe Spinosi in Nancy); Vivaldi’s Catone in Utica (Emilia – with Jean-Claude Malgoire in Paris), Ottone in Villa (Cleonilla – with Giovanni Antonini in Innsbruck), Orlando furioso (Angelica – with Jean-Christophe Spinosi in Paris, Nice, Nancy, Budapest and London), La fida Ninfa (Morasto – with Jean-Christophe Spinosi), Juditha triumphans (Vagaus – with Alessandro De Marchi in Montreux).

Veronica Cangemi’s operatic repertoire includes also the Romantic era. She appeared with great success in Beethoven’s Fidelio (Marzelline – Rome Opera), Schubert’s Alfonso und Estrella (Estrella – in Vienna), Auber’s Le domino noir (Angèle – in Venice), Donizetti’s L’elisir d’amore (Adina – in Lyon), Bizet’s Carmen (Micaëla – in Tokyo and at the Covent Garden in London), Puccini’s La Bohème (Musetta and Mimì).

Idomeneo (Ilia), Pelleas et Melisande, Turandot and L’Incoronazione di Poppea at the Teatro Colon in Buenos Aires and La clemenza di Tito (Liege) just to mention some.